Wednesday, November 19, 2008

Opening of TSU student work at Scarritt Bennett this week!


WISHLIST

Scarritt Bennett Center Gallery F

11.21.08-1.25.09

The Scarritt Bennett Center and Gallery F are hosting WISHLIST, an exhibition and collaboration with the students and graduates of the Art Department of Tennessee State University.

OPENING: Fri., 11. 21, 6 - 9 pm

ARTIST TALK: Tues., 12.16 7- 9 pm w/reception @ 6 pm


VINCENT BLACK, TSU art student
BRANDON DONAHUE, TSU art student
SARA ESTES, TSU art student
JARED FREIHOEFER, TSU art student
ASH LUSK Scarritt-Bennett Artist In Residence, TSU Art Alumni
MANDY SAUER, Scarritt-Bennett Artist In Residence, TSU Art Alumni
HOLLY SETTLE, TSU art student
MARJORIE WARD, TSU art student


CURATED BY SABINE SCHLUNK


GALLERY HOURS: Wed.- Fri.: 12 -6 pm Sat. - Sun.: 9 - 4
1008 19th Ave S, Nashville 37212
615.320.4651

Tuesday, October 28, 2008

Black Male panel discussion

In case you missed the October 15 panel,you can see it here!

Thursday, October 2, 2008

Sonor Et Visio-7pm, October 9 at Hiram Van Gordon Gallery


“In the future, art will not be created by individuals but by humankind.”- John Cage

“You can’t copyright no beats!”- Flavah Flav

Black/Jones, multi-media performance

loosely based on the writings of a Medieval monk, Abbot Suger, who’s theory of “Lux Esterna” revolutionized Gothic stained glass work

From Black/Jones’ statement:

Our work is based on several assumptions; first, that life is good, second, that two artists working together are better than one working alone, and third, that information is there for the taking. That said, we seek to create new works from both existing and original audio-visual information.


We are part of a long line of collage theorists extending from Kurt Schwitters to Kara Walker, from John Cage to Brian Eno.


Using the techniques of digital sound and video editing- both in the studio and in live performances- our work explores the history of cinema, the culture of the INternet, the richness of language, the pervasiveness of music and all the ways in which media intersect and interact to create new languages expressive of our time.

Wednesday, September 24, 2008

Video Art at TSU-Plus 3 Ferris Wheels


Plus 3 Ferris Wheels is a traveling video exhibition stopping at TSU for ONE WEEK ONLY!

http://3ferriswheels.wordpress.com/


See more at Gallery site

Wednesday, September 3, 2008

Online Exhibition honors the legacy of the Freedom Riders

See Show Here



The Center for the Creative Arts and the Department of Art at Austin Peay State University are pleased to announce the launch of We Are All In This Together: On Collectives, Highways,and the Superhighway curated by

Jodi Hays of Tennessee State University. This exhibition is the third hosted by Terminal and the first by a curator outside APSU.

Terminal is dedicated to artworks that were made to be viewed on the internet and rely on the interactivity and technology of the internet for viewing and experiencing.


See APSU Terminal Exhibition, We're all in this thing together

Thursday, June 5, 2008

TSU Freedom Riders

http://youtube.com/watch?v=k-jh_aBRyuc&feature=related

Friday, March 14, 2008

Cutie Pie at TSU

Reception- March 14, 3-5pm

Artist Talk: Mark Hosford, March 18, 2pm at TSU




Cutie Pie
Tennessee State University’s Hiram Van Gordon Gallery
www.tnstate.edu/gallery
March 10-28, 2008


Cuteness is a social construction. Referring to child-like appearance and behaviors, calling something “cute” puts it in its place. The disarming, seemingly light nature of small, demure things invites an inquiry into the deeper and more profound—small but mighty, so they say.

Lolita is the older sister of today’s “cute” alluring girl, using her innocent femininity to invoke desire or gain power over another. Desire, identity and nostalgia embodied in “cute” work- create an ironic ambiguity situated around innocence, sexuality and the mass image. From Japanese manga and Hello Kitty to the American “girl next door”, the nature of “cute” carries with it the power of cultural subversion, sexuality and consumerism. Takashi Murakami, with his cartoonish, googly-eyed characters, provokes discussions on war and the A-bomb-- proving that “cute” can pack a cultural punch.

The work in Cutie Pie is charming and playful, however not without edge or ambition. The exhibition includes works in which characters emerge. Characters endear and ingratiate, like a new untrained puppy. Artists in “Cutie Pie” invoke image, color, medium and pop-culture to engage in a visual dialogue on the nature of “cute.”


-Wendy Deschene (Auburn, AL, drawing) is a multi-media artist exhibiting exquisite drawings.
-Mark Hosford’s (Nashville, TN, printmaking) prints seem to invite (with warning) the viewer into the colorfully sinister world of an innocently twisted child. The works says at once “Come play” and “Watch it.”
-Jennifer Leach (Nashville, TN, printmaking) makes work that speaks to desire and kitsch.
--Kristi Ryba (Charleston, SC, video) fastidiously creates stop animation videos from miniature worlds of dolls and child’s play.
-Amy Santoferraro (Gatlinberg, TN/Philadelphia, PA multimedia installation) crams in the “cute” through her multi-media installations, blasting color and image together for a kitschy and elegant display-like a crazed collector showing off their obsessive habit.
-Barbara Schreiber (Charlotte, NC, painting) constructs Dick and Jane gone-awry bit narratives through her paintings.
- Rosemary Swain (Nashville, TN, ceramics) “nices up” a world of violence through her baby blue “Shredder” robot series, playing with irony but not without belief in the sweet birds that rest on her character’s shoulders.

Monday, January 21, 2008

Call and Response at TSU



Hiram Van Gordon Gallery celebrates Black History Month

Call and Response
February 4-29, 2008

TSU's Department of Art and Watkins College of Art
partner for anArt Crawl and Opening Reception
Feb 8, 3-5pm (TSU), 6-8 (Watkins)

Community Responses to Tennessee State University’s
Permanent Collection of African Art
(African Artifacts from the Ruth Witt Collection
and Dr. Richard and Mrs. Sharon Edwards Collection)


What is a collection?
What role does context play in viewing a collection?
How do we comment on the past through the present?


In music, a call a response is composed of two distinct phrases, usually played by different musicians, where the second phrase is a direct response to the first. This tradition is found in West African cultures as a form of democratic participation. Africans brought this to the New World, as seen today in the roots of gospel, blues, and jazz (to name only a few).

Tennessee State University's Hiram Van Gordon Gallery has invited, or issued a “call” to two Nashville artists, TSU Art Professor, Sam Dunson and students at McKissack Elementary. The call was to view, examine, and absorb our permanent Collection of African Art. Community Artists-In-Residence, Ash Lusk (TSU Alum) and Sabine Schlunk, and children from Su Williams' Fourth grade class, along with select art faculty have made responses to the gallery’s call, a visual contextualization of the collection. The exhibition includes their work shown alongside items from the permanent collection.

Jodi Hays, Curator, Hiram Van Gordon Gallery

Rubberneckers in Oregon!



and the coverage in on it's original tennessee stint